this was yesterday
in a few weeks
dear bonnie-prince-will-palace-billy,
you are awesome in the truest sense of the word -- like, you inspire awe. not only with that glorious moustache, but just in general. i am honestly a little terrified of you. but you are still (perhaps even more so because of it) amazing. oh my god, insane. please do not bare your teeth at me.
this is not all i see,
love,
yael.
i never post about television, but how could abc cancel pushing daisies? it's beautiful and morbidly funny and lee pace is just about the most handsome man on tv now (minus jon hamm, oh, don draper, it is so hard to hate you) and this week's episode featured a nod to arrested development ("you're magicians?" "illusionists!"). ugh, why?
there were two of them left, red and pink and tan, nestled in a bed of bubble wrap and cardboard. at first, i didn't eat them because i had already eaten three. i broke them open carefully, juice feathering in the lines of my palms. and then, i didn't eat them because i couldn't, because they reminded me too much of home, this cardboard box on the bottom shelf of my bookcase, with those two pomegranates like dumb red eggs unhatched. and so i carried them to the backyard, to the garbage bin and its gaping mouth ready to gobble up scraps of paper and fruit flies and pomegranates alike. i didn't think of opening them each fall with my father, the tap of a knife against the edge of a metal sink and the soft ghostly bodies of rotten seeds floating in a bowl of water. i didn't think of my mother, and how she'd packed them so carefully, so that they wouldn't crack and bleed before they reached me. i didn't think of anything at all. i went to bed at three in the afternoon, and woke up feeling like someone had cut me open and emptied me out, like two rocks at the bottom of a ditch.
"i'm always in love" jeff tweedy (2-28-99) lounge ax, chicago
i really love wilco. i mean, really. i have a hard time talking about it but i try anyway and most people get this kind of wary look in their eyes when i bring up jeff tweedy because, well. yeah. but this live, solo acoustic version of "i'm always in love" from 1999 -- it physically hurts me. i don't know quite what. maybe it's the simple chords and the way they grow quiet and then loud again, or maybe it's jeff's voice, on the scratchy side of a warm echo. maybe it's that this song, which was so beautiful and upbeat and charming on "summerteeth," suddenly seems so much more earnest and soft, like "if this is only a test, i hope i do my best" makes me just want to cry. that's about it, really.
there's this moment in "i am trying to break your heart" where jeff tweedy starts playing "poor places" on an acoustic guitar and the chords make it hard for me to swallow. with the time change, it's no longer dark when i wake up and this morning there is all this light filtering through the tree branches. i feel a little empty, a little buzzing. i can never tell if it's "my father's voice trailing off" or "dreaming of." oh, "someone ties a bow in my backyard to show me love" just makes me want to carry loops of string in my pockets just in case.
ryan, sing it: "i'm so very tired and i wanna come home. everything inside me, it cant hide me, i'm expired, i've got nothing to show. whatever's on the outside's knocking, you better let it in. whatever's on the inside's dying out, am i gonna lose your love? am i gonna lose your love? am i gonna lose your love? am i gonna lose your love?" love, yael.
dear will sheff,
i can't believe you're playing cafe du nord the day before i come home. not like i could go anyway, seeing as i'm only like three months twenty, but still. and the night before that, you're playing and talking about music at herbst theatre. how could you do this to me? how could you be so awesome and yet so two days early?
of course, i forgive you. show those sf folks a good time while i'm taking finals.
love,
yael.
PS. kudos on finally releasing that 7" with charles bissell. awesome.
II.
the outro to the american analog set's "come home, baby julie, come home."
III.